David Lewis Anderson on Time Technology Disclosure

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- 2012 Earth Timelines and the Secret Mars Agenda
- The Anderson Institute

Weaponizing Mozart

· How Britain is using classical music as a form of social control.
Weaponizing Mozart, Brendan O'Neill - reason.com
by Brendan O'Neill
In recent years Britain has become the Willy Wonka of social control, churning out increasingly creepy, bizarre, and fantastic methods for policing the populace. But our weaponization of classical music—where Mozart, Beethoven, and other greats have been turned into tools of state repression—marks a new low.
We’re already the kings of CCTV. An estimated 20 per cent of the world’s CCTV cameras are in the UK, a remarkable achievement for an island that occupies only 0.2 per cent of the world’s inhabitable landmass.
A few years ago some local authorities introduced the Mosquito, a gadget that emits a noise that sounds like a faint buzz to people over the age of 20 but which is so high-pitched, so piercing, and so unbearable to the delicate ear drums of anyone under 20 that they cannot remain in earshot. It’s designed to drive away unruly youth from public spaces, yet is so brutally indiscriminate that it also drives away good kids, terrifies toddlers, and wakes sleeping babies.
Police in the West of England recently started using super-bright halogen lights to temporarily blind misbehaving youngsters. From helicopters, the cops beam the spotlights at youths drinking or loitering in parks, in the hope that they will become so bamboozled that (when they recover their eyesight) they will stagger home.
Britain might not make steel anymore, or cars, or pop music worth listening to, but, boy, are we world-beaters when it comes to tyranny. And now classical music, which was once taught to young people as a way of elevating their minds and tingling their souls, is being mined for its potential as a deterrent against bad behavior.
In January it was revealed that West Park School, in Derby in the midlands of England, was “subjecting” (its words) badly behaved children to Mozart and others. In “special detentions,” the children are forced to endure two hours of classical music both as a relaxant (the headmaster claims it calms them down) and as a deterrent against future bad behavior (apparently the number of disruptive pupils has fallen by 60 per cent since the detentions were introduced.)
ne news report says some of the children who have endured this Mozart authoritarianism now find classical music unbearable. As one critical commentator said, they will probably “go into adulthood associating great music—the most bewitchingly lovely sounds on Earth—with a punitive slap on the chops.” This is what passes for education in Britain today: teaching kids to think “Danger!” whenever they hear Mozart’s Requiem or some other piece of musical genius.
The classical music detentions at West Park School are only the latest experiment in using and abusing some of humanity’s greatest cultural achievements to reprimand youth.


9/11 Conspirators Are Right

Its been nearly nine years since the attacks on the world trade center and the pentagon. September 11, 2001 is a day which, for many, has already been explained. However, there is a movement that has been picking up a lot of steam, thousands of people who say accounts given to the people by the government are flawed, some even say false.

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[Source: www.cognitionfactor.net]

Reflexiones sobre la actividad sísmica en Chile

· Otro patrón claramente artificial.
Lógica de profundidad de seismos - starviewer.wordpress.com

Últimamente, comienza a resultar familiar la verificación de patrones sísmicos, en los que la distribución de las placas tectónicas, no obedece a las leyes de la elasticidad propia de éstas.
Los patrones detectados en el terremoto de Chile, y de Haití, son incompatibles con las leyes de la sismología clásica, ya que vulneran, radicalmente, la lógica de las leyes de elasticidad de las placas tectónicas. Por todo ello, son incompatibles con el factor Naturaleza, como causa de producción. El patrón vertical de réplica intermitente discontínua, es incompatible, con las propiedades geológicas de las placas tectónicas.
Patrón del Terremoto de Chile y sus réplicas:
[Ver profundidad: 35 km]

y/m/d h:m:s LAT
deg LON
km Region
  • MAP5.32010/02/27 11:27:00 -38.103-73.587 35.0 OFFSHORE BIO-BIO, CHILE
  • MAP5.42010/02/27 10:54:23 -36.828-73.336 35.0 OFFSHORE BIO-BIO, CHILE
  • MAP5.92010/02/27 10:38:35 -38.019-73.575 35.0 OFFSHORE BIO-BIO, CHILE
  • MAP5.92010/02/27 10:30:34 -33.559-72.636 35.0 OFFSHORE VALPARAISO, CHILE
  • MAP5.82010/02/27 09:59:21 -37.991-73.467 35.0 BIO-BIO, CHILE
  • MAP5.12010/02/27 09:21:25 -36.609-73.218 35.0 OFFSHORE BIO-BIO, CHILE
  • MAP5.62010/02/27 09:00:17 -33.425-71.625 35.0 VALPARAISO, CHILE
  • MAP5.32010/02/27 08:53:56 -34.447-73.397 35.0 OFF COAST OF LIBERTADOR O’HIGGINS, CHILE
  • MAP5.02010/02/27 08:53:26 -35.073-71.760 35.0 MAULE, CHILE
  • MAP5.62010/02/27 08:48:05 -38.584-75.257 35.0 OFF THE COAST OF ARAUCANIA, CHILE
  • MAP5.72010/02/27 08:31:04 -34.820-72.443 35.0 OFFSHORE MAULE, CHILE
  • MAP6.12010/02/27 08:25:29 -34.750-72.394 35.0 OFFSHORE MAULE, CHILE
  • MAP5.52010/02/27 08:19:23 -33.479-71.574 35.0 VALPARAISO, CHILE
  • MAP5.62010/02/27 08:13:16 -33.062-71.702 35.0 OFFSHORE VALPARAISO, CHILE
  • MAP6.92010/02/27 08:01:24 -37.654-75.199 39.0 OFF THE COAST OF BIO-BIO, CHILE
  • MAP5.42010/02/27 07:59:55 -36.050-73.562 35.0 OFFSHORE BIO-BIO, CHILE
  • MAP5.22010/02/27 07:56:37 -36.933-73.240 35.0 OFFSHORE BIO-BIO, CHILE
  • MAP5.42010/02/27 07:51:05 -36.399-72.498 35.0 BIO-BIO, CHILE
  • MAP5.42010/02/27 07:46:49 -36.795-72.924 35.0 BIO-BIO, CHILE
  • MAP6.02010/02/27 07:37:18 -36.837-72.541 35.0 BIO-BIO, CHILE
  • MAP5.62010/02/27 07:33:31 -38.007-73.484 35.7 OFFSHORE BIO-BIO, CHILE
  • MAP5.42010/02/27 07:19:48 -35.811-72.945 35.0 OFFSHORE MAULE, CHILE
  • MAP6.02010/02/27 07:12:28 -33.807-71.913 35.0 OFFSHORE VALPARAISO, CHILE
  • MAP6.22010/02/27 06:52:35 -34.735-72.638 35.0 OFFSHORE MAULE, CHILE
  • MAP8.82010/02/27 06:34:14 -35.846-72.719 35.0 OFFSHORE MAULE, CHILE
La única forma de generar patrones sucesivos de profundidad idéntica, en réplicas discontinuas seguidas, es proyectando desde un satélite frecuencias de superficie, concentradas en un punto. No hay otra manera de conseguir ese efecto, ya que, los seísmos endógenos, obedecen a las propiedades de elasticidad de las placas Tectónicas, y ni en esta ocasión, ni en el caso de Haití, se ha verificado elasticidad alguna. Por tanto ARTIFICIAL.
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